A new feature for the blog: the latest paintings and portraits available to preview as soon as they come off the easel. These are some of my new paintings from January and February 2018.
Macho (some dust on the camera sensor just above his head). 15x11, oil on linen. 2018.
This was done from a cell phone photo taken at night. That, together with the dark fur, made this an extraordinarily difficult portrait to paint.
Hershey and Cinnamon. 21x18, pastel on sanded paper. 2018
My first pastel painting in 7 years.
Ballard Beach. 8x10, oil on linen panel. 2018
A continuation of my efforts to explore the beach and shoreline in a more abstract style. It's difficult to get the right exposure on an image of this painting.
Sunset Meadows. 12x9, oil on linen panel. 2018
I've been working on this painting since the beginning of fall 2017.
Fading Light. 12x12, oil on linen. 2018
Exploring the way the light disappears after sunset.
Holme Valley. 8x10, oil on linen panel. 2018
There's a band of countryside in the west and south farmland areas of West Yorkshire that forms a sweeping L-shape through the county. The dry stone walls are darker than their limestone cousins in North Yorkshire, but the soil is richer and the greens are more verdant.
I'm still working to get this one right. The jury's out on whether or not it will survive..
Grazing in the Back Field. 8x8, oil and cold wax on linen panel. 2016-2018
An older sketch that I've updated with a couple of horses, not quite finished. It's looking much better with the added interest.
Field Study 5. 5x7, oil on linen panel. 2018
I'm not a miniaturist, but I love working on small sketches like this one. It took most of a day to finish as I kept reworking parts to get the right balance.
It was done from a combination of two plein air sketches.
The foreground was especially tricky. I added several layers of paint wet-on-wet, experimenting with the colors as I went. It's just on the cusp of turning into mud.
Open Range. 5x10, oil on linen panel. 2018
A re-work of a previous study. I tried to find out how much was just enough to make it work.
The sliver of cool light, the dark trees, and earth-color palette of the land combine to give it a barren feeling.