Writing an Artist's Statement

In the art world, few things cause so much stress for the artist as being asked to provide an artist's statement. They are notoriously difficult to write because they require introspection and self-analysis. They often end up being long and difficult to read.

In this article I want to show you how to create a reader-friendly version. One that will easily work on an application form that has a 200-character limit for your artist's statement. A statement that you might also find useful.

To get started, it is important to understand what an artist's statement is.

An Artist's Statement is a Brief Conversation About Your Art.

When I meet customers at shows I am always talking about my art. These are just short conversations in everyday language that explain the relationship between myself and my work (what I mean by this will become evident when you read the examples I have provided later in the article).

If I am not around to have that conversation because my work is in a show or perhaps when a juror wants to know more about my work, then the artist's statement stands in for me.

What Works

Our definition of an artist's statement hinges on the word "conversation". This is the key to transitioning your statement from a tangled block of text to something that is more effective.

If you have ever done an online search for famous artist's statements, most of the results you have seen were excerpts of interviews where the artist has accidentally blurted out some truth about their art in conversation. You can often see statements that let you truly see the connection between the artist and their art.

My point is that it is better to approach it from the point of view of conversational speech rather than formal written text.

You should avoid the following:

  • Do not have it describe your art. You can assume that it will always be read in conjunction with a viewing.
  • Do not generate the content by checking items off a list you find online. You will be steered toward connecting things as diverse as your motivation, technique, materials, and history. That makes it impossible to encapsulate your art in just a couple of sentences.
  • Leave out any mention of your process. It will not distinguish you from other artists so only talk about it if it's unique or essential to knowing more about your work.
  • The longer it is, the more likely it will go unread.

How to Start

My thinking has changed since the first time I authored this article. I used to believe that it was possible to immediately start writing a statement in its final form, but I have come to realize that doing so is too difficult.

Another realization was that it is hard to write an artist's statement when you are starting out. We do not usually start painting because we have an artistic agenda, and it is futile to try and impose one on yourself until you are ready. If you are at this stage, I would encourage you to be honest and talk about where you are on your journey rather than invent something.

When you do start, I suggest you take some time to write about your painting history and motivation at length, then take, say, three of your favorite paintings and write about why you painted them. Be specific.

When I did that for myself, it ran to just under three thousand words (about seven pages of twelve-point text in Microsoft Word). It gave me insight into my own work that I had been missing up to that point. Writing my artist's statement was easy after that. The entire process took a long time, but it was worth the effort.

Structuring Your Statement

Once you have done that, there is a straightforward way to write your artist's statement in a form which will make it short and easy to read.

It can be constructed from two parts: a preamble that sets the stage, and a second part that talks about your art directly. Each of these can be as short as a single sentence.

Let's think about those two parts separately:

Part I: The Preamble

The main purpose of the opening is to provide context.

Avoid talking about your art directly. Instead, describe something like a personal experience that shaped your art or an observation that informed your sense of the world. Perhaps painting with your friends every Tuesday is the highlight of your week?

Here are some suggestions that you may find easy to adapt to your own needs.

  • Opening with an observed behavior is compelling because it allows the reader to easily join in the dialog. A statement such as "Many people think monkeys are funny." is attention grabbing and punchy. 
  • A description of an event can be lengthier but may be easier to write, for example: "One day in 2017 I looked out and saw the sky over Elliott Bay in a completely new light."
  • statement of your feelings provides the most personal introduction: "I love plein air painting!"

Part II: Your Art

In the second part you say how your art fits into this context. Here you should jump straight into the "My art is about..." bit.

To finish the examples from Part I:

  • "Many people think monkeys are funny. My art examines their behavior to see whether it's different from that of our own." — an artist's statement that's short and to-the-point.
  • "One day in 2017 I looked out and saw the sky over Elliott Bay in a completely new light. My art is about bringing the viewer to my window to share these extraordinary moments in time." — an artist's statement that relates to a personal experience.
  • "I love plein air painting! My work is all about the joy of being outside with good friends" — communicates your feelings.

If you feel more is needed, it may be better to expound on the context rather than on your art. It is extremely easy to get the reader to switch off when you start to ramble.

Edit, Edit and Edit Some More

Just as you might make lots of preliminary sketches before you commit to a painting, the best plan is to write many versions of your statement then selectively edit phrases until you narrow down the text.

If you start off by writing and trying to edit one single block of text, the writing process will often take longer.

A Real-Life Example

Here's how I took my own advice in this older version of my statement. Note how I have used this basic two-sentence structure:

Artist's Statement for Simon Bland

I prefer to explore the outside world as a solitary figure, looking at the landscape and finding places that become my own world. My landscapes are about sharing that personal communion with nature and what it represents: the idea that things often lie hidden and overlooked.


The above example is an actual artist's statement. It shows you how I talk about my art using everyday words.

The most important part is what I do not say: there is no mention of things like education, technique, materials, methods, history, philosophy, and influences. I have not tried to convince anyone that I know more about art than they do. By leaving out these things I've made it easy for the reader to relate.

Complex Cases

The two-sentence structure will fit the needs of most artists. An artist's statement like this is perfect for things like show applications, websites and even printed brochures.

But for some artists, this may not be enough. Your gallery might ask you for a bigger statement, or you may have a more complex business.

If your gallery requires a longer statement, my advice is to stick with the two-sentence structure as an opening paragraph, then add a second paragraph to fulfil the gallery's requirements. The idea is that you want to keep the opening part of your statement as interesting and easy to read as possible so that the reader is encouraged to read on.

If you find yourself struggling to fit all your artistic endeavors into a single statement, then it is better to write a separate artist's statement for each stream of your business. Likewise, if your art style changes between shows, you can write separate statements for each series of works.

For my own business, I used to separate my landscapes, portraits and still life paintings. Here are the other two:

About Portraits

I have one job to do when painting a portrait and that's to get out of the way. Everything I need is right there—I just pick out the important parts, subdue the unimportant. Once I've figured out the design, the rest is a matter of making sure that the subject emerges from the canvas as I disappear into the paint.

Still Life

I take these everyday objects, things that anyone might have lying around their house, and bring them together on a canvas to create art. Even the most commonplace objects have an aesthetic quality if you look at them in the right way.

A Final Test 

A straightforward way to tell whether your artist's statement works is to imagine saying it aloud to someone else. Does it feel like part of a casual conversation with a curious shopper or a formal speech to a society of art historians? Does it sound like your normal voice? Can you get through it in a few seconds? 

In my case, my artist's statement is close to the way I talk about my art with customers. A little more formal but near enough. That means I am on the right track.

To leave you with a few last thoughts—you may think the entire process of writing an artist's statement is not worthwhile. But I would encourage you to write one anyway, even if all you do is to keep it hidden in a drawer. It will help you understand, develop, and think about your art as you continue your journey.

Originally published in March 2018, this article was rewritten and edited for content in May 2020. Small edits to improve readability were made in June 2022. Additional content was added in November 2022.

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