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Molly Part 3: The Final Layers

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Molly. 14x11, oil on linen panel. 2015 This is the painting of Molly nearly finished.  I've taken a break from it for a day or so to rest my eyes and I'll put some finishing touches on it when this layer is dry, although I don't think it needs much.  With a nearly full monochromatic block-...

Molly Part 2: The Block In

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Molly Block In. 14x11, oil on linen. 2015 This morning I did the block-in for the portrait of Molly. I used a mixture of terra rosa and raw umber applied thinly on an un-toned panel.  I will let this dry and then tone the panel before starting the final layers of the painting. I don't usua...

Molly Part 1: Starting With a Low Quality Photograph

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Value Design for Molly. Charcoal on a 1/2 sheet of Canson. Artists who take commissions often get asked to work from photos that are a little off and I've seen more than my fair share of cellphone pics taken at night, or prints taken from 50 yards away with a disposable film camera. I'm usually relu...

Elvis

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Elvis. 20x16, oil on linen. 2015. About two weeks ago I thought I was nearly finished with this painting (after a couple of earlier re-starts) when I realized that the overall color scheme wasn't working. I went back and redesigned the whole thing over again.  The figure turned out to be mostly...

Buddy - a portrait sketch

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Buddy. 12x12, oil on linen panel. 2015 Started the morning by finishing up this painting of Buddy.  It was painted using the customer's own photos as a reference.  I tried to paint the whole thing in a loose style and integrate the body into the background as much as possible. The palette ...

Portrait Sketch of Apollo

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Apollo. 14x11, oil on linen panel. 2015 This portrait sketch of Apollo was a tough one to paint: I had to use customer supplied photos (non digital), the lighting was harsh and it was hard to pick out the true color. I painted this twice, once with a regular approach, trying to duplicate the origina...